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Fozia Arts

Know your stone

Ten materials, described plainly

These are the stones we actually work with. For each one: the mineral family it belongs to, its hardness on the Mohs scale, the colours it typically shows, and the reason it looks the way it does.

We describe material and appearance only. Nothing here claims a stone affects health, mood or fortune.

The stone library

Moonstone — Milky white to pale grey, often with a cool blue sheen

Moonstone

Feldspar group (orthoclase)

Hardness
6 - 6.5
Lustre
Pearly to vitreous

Moonstone's floating sheen - adularescence - comes from its internal structure rather than its colour: the stone is built from alternating microscopic layers of two feldspars, and light scattering between those layers throws back a soft blue-white glow.

Read the entry2 pieces
Amethyst — Pale lilac through to deep violet, often unevenly distributed

Amethyst

Quartz (macrocrystalline)

Hardness
7
Lustre
Vitreous

Amethyst is ordinary quartz whose violet colour comes from traces of iron in the crystal structure, altered by natural irradiation. The colour grows in bands as the crystal forms, which is why one end of a cut bead is often stronger than the other.

Read the entry3 pieces
Rose Quartz — Soft pink, from barely tinted to a dusty rose

Rose Quartz

Quartz (macrocrystalline)

Hardness
7
Lustre
Vitreous, often slightly milky

Rose quartz owes its pink to microscopic fibrous inclusions of a borosilicate mineral distributed through the quartz, not to a dissolved colouring agent. Those inclusions also scatter light, which is why the stone reads as translucent and milky rather than glassy-clear.

Read the entry3 pieces
Clear Quartz — Colourless and glassy, sometimes lightly cloudy or veiled

Clear Quartz

Quartz (macrocrystalline)

Hardness
7
Lustre
Vitreous

Clear quartz is silicon dioxide grown in a repeating three-dimensional lattice, and it grows as six-sided prisms because of that lattice. Its internal wisps are healed fractures and trapped fluid from the time the crystal formed.

Read the entry2 pieces
Agate — Banded creams, greys, warm browns and rust reds

Agate

Chalcedony (microcrystalline quartz)

Hardness
6.5 - 7
Lustre
Waxy to dull, vitreous when polished

Agate's banding is a record of deposition: silica-rich fluid entered a cavity in volcanic rock and laid down layer after layer of fine-grained chalcedony against the cavity wall, each layer differing slightly in trace content and grain size. No two slices repeat.

Read the entry2 pieces
Jade — Mid to deep greens, spinach through to pale grey-green and cream

Jade

Two distinct minerals share the name: nephrite (amphibole group) and jadeite (pyroxene group)

Hardness
Nephrite 6 - 6.5, jadeite 6.5 - 7 - both far tougher than that f
Lustre
Greasy to waxy, subtly resinous when polished

Both jades are interlocking-fibre aggregates rather than single crystals, and that felted internal structure is why jade resists chipping and can be carved thin - toughness, which measures resistance to breaking, is not the same property as hardness, which measures resistance to scratching.

Read the entry2 pieces
Labradorite — Smoky grey to near-black body, flashing blue, teal, gold or green

Labradorite

Feldspar group (plagioclase)

Hardness
6 - 6.5
Lustre
Vitreous to pearly on the flashing planes

That flash - labradorescence - is interference, not pigment. The stone separated as it cooled into extremely thin alternating lamellae of two feldspar compositions, and light reflecting off those internal layers interferes with itself, returning one narrow band of colour at one particular viewing angle.

Read the entry2 pieces
Black Onyx — Even black, with charcoal and slate greys where the light lands

Black Onyx

Chalcedony (microcrystalline quartz)

Hardness
6.5 - 7
Lustre
Vitreous when polished, soft and chalky when matte

Onyx is banded chalcedony - the same layered silica structure as agate, but with the bands lying in flat parallel planes rather than concentric rings. Uniformly black material is uncommon in nature, so most black onyx on the market is pale chalcedony darkened by a long-established sugar-and-acid treatment that deposits carbon in its pores.

Read the entry3 pieces
Green Aventurine — Mid green, mottled, with paler and darker patches

Green Aventurine

Quartz (macrocrystalline) with platy mineral inclusions

Hardness
7
Lustre
Vitreous with a scattered metallic glitter

The glitter, called aventurescence, comes from inclusions rather than the quartz itself: thousands of tiny flat plates of mica lie scattered through the stone, and each one reflects light like a small mirror. The green body colour comes from a chromium-bearing mica variety.

Read the entry2 pieces
Tiger's Eye — Golden brown and honey, striped with darker chocolate bands

Tiger's Eye

Quartz (fibrous, formed by replacement of crocidolite)

Hardness
7
Lustre
Silky

Tiger's eye began as crocidolite, a fibrous blue mineral, whose fibres were replaced by quartz while their parallel alignment survived. Light reflecting off that fibre bundle concentrates into a single moving band - chatoyancy - which always runs at right angles to the fibres, so the cutter's orientation decides where it falls.

Read the entry2 pieces

Pearl

Hardness
Lustre
Vitreous

Read the entry